Poje weaver dating websites
Poje weaver dating websites
They feel down-in-their-boots grief every single day they practice, at times close to tears when they lay it all out on the line. There is lightness in their step and their words as they head to Boston. Every year, it’s difficult, especially in ice dancing. In singles, they get a chance to really develop a program. It’s like reinventing yourselves every year.” This year, Bourne was less involved with their creative process, and has stayed involved from a distance. Yes, say Kaitlyn Weaver and Andrew Poje, heading with a skip in their step to the world figure skating championships this week, with their “This Bitter Earth” free dance. They’ve continued to develop and grow their experiences. In dance, lifts change, spins, everything changes of course to fit the rules.
Bourne is not just a consultant to Weaver and Poje. Even Turok has been heavily involved with their music the past few years.Once the free dance was developed, Weaver and Poje asked Bourne if she’d take a look at the routine at national monitoring sessions at the beginning of the season. ” After their first competition, they added a vocal. However, Weaver and Poje had to deal with what the free dance was all about, what they had to do from within to make an audience get it.Strangely enough, as Bourne watched the free dance, a story that Turok had written came to her mind.It was a short film he had created about the stages of grief.It was, said Turok, a story about how two people, having lost a child, can completely turn in different directions in the relationship.“So one can completely lose oneself in grief and the other balances the reality of life,” he said.
In Detroit one day, watching Weaver and Poje skate their free dance, Bourne felt as if she was watching her husband’s short film.“Wow, that’s Bohdan’s movie playing out,” she thought. She felt the team just didn’t have the full story of expression at that point.As Bourne told the story, this Bitter Earth” started to make sense to the team. And then it came more alive.” That’s when she started feeling goosebumps, Bourne said. “I don’t like to watch something that leaves me with a question mark, where I’m not fully understanding it. The wife comes to the brink of committing suicide, but chooses not to and arrives back to her life in the moment.“We started to go through the pieces and changed expression,” Bourne said. You don’t even have to fully understand it, but you have to be touched by it.” From the time that Weaver and Poje unleashed their “Je Suis Malade” routine several years ago, their trump card has always been their power to elicit goosebumps in viewers’ arms. The husband is the one who is trying to stay in balance and deal with the realities of life. And as soon as she has returned, the husband can break down, and allow himself to feel also. “He was holding her up.” “He was maintaining his life in a quasi-balance, but it’s also temporary, because he doesn’t grieve,” Turok says. While she has one foot in the world of her son, he has to maintain the balance.” At the end, they are able to hold each other. “It feels like they can live again.” The program ends with the two of them holding hands and standing. The message of the routine: It’s not just a bitter earth.Turok emailed Bourne the script after she left that night and Bourne passed it along to Weaver. Weaver and Poje had never been through the experience of losing a child, but they could imagine. It’s called “Return to Sender.” A couple loses their 6-year-old son, who died six months before the film starts. There is conflict, two people dealing with a tragedy in different ways. At the end of Weaver and Poje’s routine, they shifted the choreography to reflect this story: at one point both of them lean back, almost like falling into a world of grief, but he turns and sees her falling and he catches her. The feel of the program lightens during the final footwork section. It is “This bitter earth, how sweet it is.” “You can look at it many ways,” Bourne says.It was an aid to help them tap into a picture to make the routine more understandable, “so there is more of a reason for the movement,” Bourne said. Every day, the wife writes letters to her son to stay connected with him. “It’s the best thing and it’s the worst thing because we die.